Monthly Archives: March 2018

The Best, Least-Read Beatrix Potter Book: The Tale of the Pie and The Patty Pan

Don’t expect your kids to be as taken with The Tale of the Pie and the Patty Pan as they might be with Peter Rabbit or Squirrel Nutkin. But this Beatrix Potter story — #17 in her Peter Rabbit series — is my new personal favorite Potter.

The story is about Ribby, a cat, who invites her friend Duchess, a dog, for tea. Duchess is “dreadfully afraid” that Ribby plans to serve mouse pie (which she absolutely cannot eat) and so comes up with a cockamamie plan. She will sneak into Ribby’s kitchen with a replacement pie, swap the two without Ribby knowing, and then enjoy the party, all without causing offense. Of course, Duchess’s plan goes all screwy. She unknowingly eats the mouse pie, thinking it’s her veal-and-ham pie. And when she sees there’s no patty pan left inside the pie dish (I had to look up what a patty pan is —  a tin pan inside a pie that helps hold up the crust), she goes into a nervous fit, thinking she’s swallowed it. The doctor is called, the whole neighborhood hears about it, etc, etc.

At heart, this is a story about two bored gentlewomen who fill their empty days by planning and attending tea parties over which they make unnecessary fuss.  Their social engagements are as artificial and prescribed as a formal dance. The morning of the event, the two friends, rushing to get ready, pass each other on the street but don’t even greet each other.

“They only bowed to each other; they did not speak, because they were going to have a party.”

Ribby madly dusts, polishes and puts out her “best china tea-set.”  Duchess (after breaking into Ribby’s house and swapping pies) brushes her fur and “passed the time until the clock struck four,” because she has clearly nothing else to do.  Then, she arrives a bit too early and she must “wait a little while in the lane” so she may arrive fashionably late at a quarter past four. 

The friends exchange rehearsed pleasantries:

“Is Mrs. Ribson at home?” inquired Duchess.

“Come in! and how do you do, my dear Duchess?” cried Ribby. “I hope I see you well?”

“Quite well, I thank you, and how do you do, my dear Ribby?”

and put on a show of gracious congeniality while secretly judging each other. 

“How fast Duchess ie eating!” thought Ribby to herself. 

The comedy is as sharp as in any Barbara Pym novel. These friends would rather lie to each other than risk a social misstep. And the whole afternoon devolves into chaos and hysteria because neither of them say what they really think. 

It’s delightful!!!!!

And the illustrations —with the profusion of garden flowers, exquisite interiors and Ribby’s lilac silk gown and embroidered apron —  are some of the most beautiful of all of Beatrix Potter’s works. 

The Wrinkle in Time film: We Came, We Saw, We Cringed. Here’s a Better Option

Read the graphic novel instead!!!

You could tell from the trailer that Ava DuVernay’s A Wrinkle in Time was going to be painful. The colors were way too bright. The special effects —for a $100 million movie — were weirdly cheap looking. Storm Reid was much too pretty, with none of Meg’s awkwardness. And I felt frankly embarrassed for Mindy Kaling every time I had to see her totter across the field in that goofy dress.

Still, I dragged the family to see it because I had hope and because I was influenced by the grudgingly positive review from A.O. Scott  (“Fans of the book … can breathe a sigh of relief, and some may also find that their breath has been taken away.” Really?)

Of course it was much worse than we had feared. Where the tone should have been mysterious and tense, it was cute and sitcom-y. The camera lingered way too long on the kids’ open-mouthed expressions of awe. Reese Witherspoon’s transformation into a giant cabbage was mortifying. There were too many closeups of Oprah where you could practically see the dots of glue used to stick the rhinestones on her face. The actor playing Charles Wallace had zero charisma. The pacing was off (like, how did Meg free her dad so quickly?)  I could go on and on.

So … here is some advice. If you’re a fan of Madeline L’Engle’s novel and want another taste of it, look for the fantastic graphic novel adaptation by Hope Larson, which came out in 2012. Unlike DuVernay’s film, Larson’s take is very close to Madeline L’Engle’s novel in both spirit and  plot. Here’s a look at the opening spread:

I love that she starts with the opening words of the novel: “It was a dark and stormy night.” And the way Larson plays with layers, scale, and moody tones of black, white, and blue support the story beautifully.

Purists will be happy to know that she includes all the memorable scenes that DuVernay didn’t, like the snack of liverwurst sandwiches and hot cocoa, meeting Aunt Beast, and the episode with the little kid whose ball didn’t bounce in time with the others. Larson’s drawings also offer a welcome clarity when it comes to the conceptual discussions of space and time. My kids loved it — I suspect perhaps even more than the actual novel, but let’s not dwell on that. P.S. Larson has a new graphic novel coming out this May titled All Summer Long, about a thirteen-year-old girl facing a summer vacation of guitar playing, boredom, strained friendships and new friendships. Here’s the cover, which I already love: